The Sixties in North America

Here is the listening for tomorrow’s class, drawing from examples in both of the readings. Considering that rock and soul music from mid-60s through the mid-70s is effectively the canon for histories of rock ‘n’ roll and popular music in general, it was exceedingly difficult to choose examples that can address the ways that the different counterpublics attempted to change the political status quo in the United States. I ended up choosing some lesser-known examples that I think exemplify some of the major trends in music protest from the decade that we haven’t already addressed in the class. As you prepare for tomorrow’s class, consider how Ward and Gitlin’s perspectives differ in how they address the same general period of music-making and the interrelationships between the ’60s counterculture and the rising black consciousness associated with soul music.

Also, I plan for discussion to at least partially address Brad Paisley’s “Accidental Racist.” If you have avoided stumbling into this media spectacle, here are some good places to start.

Stokely Carmichael

 

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